1 00:00:05,030 --> 00:00:02,090 throughout the world there is a certain 2 00:00:07,309 --> 00:00:05,040 type of face a being that's seen 3 00:00:10,490 --> 00:00:07,319 again and again and again with a long 4 00:00:13,310 --> 00:00:10,500 thin face and big black eyes sometimes 5 00:00:15,049 --> 00:00:13,320 the head seem quite big as in the Betty 6 00:00:16,609 --> 00:00:15,059 Andreas in case others like in my case 7 00:00:19,670 --> 00:00:16,619 they seem smaller and the beings are 8 00:00:21,769 --> 00:00:19,680 taller but that basic configuration that 9 00:00:24,470 --> 00:00:21,779 basic sort of non-human configuration 10 00:00:27,589 --> 00:00:24,480 seems to be repeated again and again and 11 00:00:30,830 --> 00:00:27,599 again in uh experiences all over the 12 00:00:33,830 --> 00:00:30,840 world the book communion is about much 13 00:00:36,170 --> 00:00:33,840 more than the beings it also profiles 14 00:00:38,750 --> 00:00:36,180 Whitley and his family fighting to keep 15 00:00:41,090 --> 00:00:38,760 their sanity under some pretty bizarre 16 00:00:43,850 --> 00:00:41,100 circumstances a Common Thread among 17 00:00:46,130 --> 00:00:43,860 abduction victims is that often the 18 00:00:48,350 --> 00:00:46,140 victim's child may also have had the 19 00:00:50,990 --> 00:00:48,360 same experience and in the striba 20 00:00:52,250 --> 00:00:51,000 household this proved to be the case I 21 00:00:56,330 --> 00:00:52,260 was sleeping 22 00:00:58,549 --> 00:00:56,340 and sunlight is light skin a light big 23 00:01:01,130 --> 00:00:58,559 bright like him in my room 24 00:01:02,810 --> 00:01:01,140 and sometimes my dad comes in to see how 25 00:01:04,850 --> 00:01:02,820 I'm doing in the middle of the night but 26 00:01:07,130 --> 00:01:04,860 he doesn't bring in he doesn't bring in 27 00:01:10,850 --> 00:01:07,140 the searchlights out 28 00:01:12,410 --> 00:01:10,860 I'm sleeping I got scared I think it's a 29 00:01:15,170 --> 00:01:12,420 burglar or something so I pull the 30 00:01:17,270 --> 00:01:15,180 covers over my head and sink down and 31 00:01:19,609 --> 00:01:17,280 then the cover and then something pulls 32 00:01:22,910 --> 00:01:19,619 it down and I see the face that's on 33 00:01:25,010 --> 00:01:22,920 chameleon the cabin at its grounds where 34 00:01:27,590 --> 00:01:25,020 most of these unusual events continue to 35 00:01:30,230 --> 00:01:27,600 take place were open for the Encounters 36 00:01:32,450 --> 00:01:30,240 of the Fourth Kind film crew with Mr 37 00:01:34,190 --> 00:01:32,460 strebus serving as host 38 00:01:36,770 --> 00:01:34,200 when they come here 39 00:01:38,990 --> 00:01:36,780 we often hear a sound immediately above 40 00:01:41,270 --> 00:01:39,000 the house that will that will come 41 00:01:44,510 --> 00:01:41,280 across into this area 42 00:01:46,670 --> 00:01:44,520 and uh 43 00:01:49,190 --> 00:01:46,680 myself and a number of other people have 44 00:01:51,770 --> 00:01:49,200 seen things hanging over this deck or 45 00:01:54,770 --> 00:01:51,780 hanging in an immediate little clearing 46 00:01:56,569 --> 00:01:54,780 in the front yard very small things but 47 00:01:57,770 --> 00:01:56,579 quite large ones sometimes hanging over 48 00:02:00,889 --> 00:01:57,780 the deck 49 00:02:03,350 --> 00:02:00,899 in December of 1985 when the visitors 50 00:02:05,149 --> 00:02:03,360 first took me They Carried me down 51 00:02:08,389 --> 00:02:05,159 through these Woods which I remember 52 00:02:11,029 --> 00:02:08,399 very vividly to a clearing 53 00:02:13,850 --> 00:02:11,039 not too far from here where I have since 54 00:02:15,470 --> 00:02:13,860 built a stone circle that I and the 55 00:02:18,170 --> 00:02:15,480 group of people who've had experiences 56 00:02:20,750 --> 00:02:18,180 here go to to meditate at night 57 00:02:23,990 --> 00:02:20,760 this strange occurrences outside the 58 00:02:26,150 --> 00:02:24,000 striba cabin can only be compared to 59 00:02:28,070 --> 00:02:26,160 what happened inside 60 00:02:32,570 --> 00:02:28,080 but this is where I was sleeping on the 61 00:02:34,309 --> 00:02:32,580 night of December the 26 1985 when the 62 00:02:37,309 --> 00:02:34,319 visitors came in 63 00:02:38,930 --> 00:02:37,319 from the door across the room and the 64 00:02:41,150 --> 00:02:38,940 next thing I knew I was being literally 65 00:02:44,509 --> 00:02:41,160 carried out of the room in a state of 66 00:02:49,009 --> 00:02:47,030 when we return we'll go behind the 67 00:02:51,830 --> 00:02:49,019 scenes for the making of the film 68 00:02:54,110 --> 00:02:51,840 communion with its star Christopher 69 00:02:57,110 --> 00:02:54,120 Walken I said to Whitley the other day 70 00:02:59,690 --> 00:02:57,120 that I had never had such an experience 71 00:03:01,729 --> 00:02:59,700 or really anything including Deja Vu 72 00:03:05,150 --> 00:03:01,739 right that's not something that happens 73 00:03:07,369 --> 00:03:05,160 to me and I said that I had 74 00:03:09,050 --> 00:03:07,379 no I've never had anything like that and 75 00:03:10,070 --> 00:03:09,060 he looked at me very seriously and he 76 00:03:12,050 --> 00:03:10,080 said well 77 00:03:14,030 --> 00:03:12,060 you're about to 78 00:03:15,410 --> 00:03:14,040 when the film version of striper's 79 00:03:19,130 --> 00:03:15,420 best-selling book went before the 80 00:03:21,350 --> 00:03:19,140 cameras in June of 1988. those involved 81 00:03:23,809 --> 00:03:21,360 with making the picture knew that this 82 00:03:26,570 --> 00:03:23,819 was to be more than a movie about Little 83 00:03:29,149 --> 00:03:26,580 Green Men from outer space those other 84 00:03:33,470 --> 00:03:29,159 films were 85 00:03:35,570 --> 00:03:33,480 fantasies and Whitley is this is a true 86 00:03:37,850 --> 00:03:35,580 story that's what what makes this 87 00:03:40,309 --> 00:03:37,860 picture different it's a true story and 88 00:03:43,550 --> 00:03:40,319 it really examines a psychological side 89 00:03:44,690 --> 00:03:43,560 of what will happen to human beings if 90 00:03:47,809 --> 00:03:44,700 and when 91 00:03:50,089 --> 00:03:47,819 they encounter intelligent non-humans 92 00:03:51,830 --> 00:03:50,099 after Maura convinced sriva that his 93 00:03:53,690 --> 00:03:51,840 story should be told on the big screen 94 00:03:56,270 --> 00:03:53,700 the two form their own production 95 00:03:59,509 --> 00:03:56,280 company and set about finding the actors 96 00:04:02,149 --> 00:03:59,519 who would play the two pivotal roles 97 00:04:04,670 --> 00:04:02,159 selected to play Whitley was Academy 98 00:04:06,770 --> 00:04:04,680 Award winner Christopher Walken 99 00:04:08,750 --> 00:04:06,780 Walken whose gritty work in the deer 100 00:04:10,369 --> 00:04:08,760 hunter earned him an Oscar quickly 101 00:04:12,830 --> 00:04:10,379 adapted himself to stepping into the 102 00:04:16,009 --> 00:04:12,840 shoes of the famous writer the The Good 103 00:04:22,009 --> 00:04:16,019 the good thing for me here is that I I 104 00:04:26,450 --> 00:04:24,409 you know I hope for the best always but 105 00:04:28,629 --> 00:04:26,460 in this case it turned out to be very 106 00:04:30,670 --> 00:04:28,639 inventive which I'm grateful for and 107 00:04:33,010 --> 00:04:30,680 Whitley is 108 00:04:35,629 --> 00:04:33,020 responsible for that because 109 00:04:37,930 --> 00:04:35,639 he you know he was kind of like a good 110 00:04:40,310 --> 00:04:37,940 parent you know he let the bird fly 111 00:04:42,770 --> 00:04:40,320 equally as important as the role of 112 00:04:45,409 --> 00:04:42,780 Whitley or was the question as to who 113 00:04:47,870 --> 00:04:45,419 would play Ann strieber Whitley's wife 114 00:04:50,510 --> 00:04:47,880 to fill this role the director looked to 115 00:04:52,730 --> 00:04:50,520 actress Lindsay Crouse an Academy Award 116 00:04:54,890 --> 00:04:52,740 nominee for her role in places of the 117 00:04:58,030 --> 00:04:54,900 heart and another interesting thing 118 00:04:59,570 --> 00:04:58,040 about Lindsay is that she was very 119 00:05:02,330 --> 00:04:59,580 uh 120 00:05:04,670 --> 00:05:02,340 proud to be playing a wife in other 121 00:05:06,409 --> 00:05:04,680 words she was very keen on showing that 122 00:05:08,210 --> 00:05:06,419 there's a value in keeping the family 123 00:05:10,310 --> 00:05:08,220 together and that even though it looked 124 00:05:12,409 --> 00:05:10,320 as if her husband was going completely 125 00:05:14,450 --> 00:05:12,419 off the rails with the most cockamamie 126 00:05:17,450 --> 00:05:14,460 story she's ever heard being abducted by 127 00:05:20,170 --> 00:05:17,460 little green and blue men she still had 128 00:05:23,029 --> 00:05:20,180 faith in the marriage and in the family 129 00:05:25,730 --> 00:05:23,039 like the rest of the book streamer 130 00:05:28,490 --> 00:05:25,740 insisted the recreation of the beings be 131 00:05:31,310 --> 00:05:28,500 as close as possible to what he saw in 132 00:05:33,110 --> 00:05:31,320 real life special effects whiz Mike 133 00:05:36,469 --> 00:05:33,120 McCracken was assigned the task of 134 00:05:38,810 --> 00:05:36,479 creating the unusual beings Whitley had 135 00:05:41,950 --> 00:05:38,820 a series of illustrations developed 136 00:05:46,189 --> 00:05:41,960 and from this we scaled up from those 137 00:05:48,350 --> 00:05:46,199 and so that what we have is accurate to 138 00:05:51,249 --> 00:05:48,360 within a half inch 139 00:05:53,350 --> 00:05:51,259 in terms of the height and the size 140 00:05:56,870 --> 00:05:53,360 the 141 00:05:58,550 --> 00:05:56,880 movements and so on are also very 142 00:06:01,189 --> 00:05:58,560 accurate or as accurate as it's possible 143 00:06:04,790 --> 00:06:01,199 to do with with current technology 144 00:06:07,730 --> 00:06:04,800 the colors and so on are very very close 145 00:06:10,909 --> 00:06:07,740 to what what Whitley saw and none of 146 00:06:13,070 --> 00:06:10,919 these are is there too much movement I 147 00:06:16,129 --> 00:06:13,080 mean in terms of their face and so on on 148 00:06:18,050 --> 00:06:16,139 the blue people there is a certain 149 00:06:20,330 --> 00:06:18,060 amount of movement they move in an odd 150 00:06:22,249 --> 00:06:20,340 way and that their face is kind of a 151 00:06:24,050 --> 00:06:22,259 Whitley says that there's kind of a 152 00:06:26,570 --> 00:06:24,060 gravity feeling there's a they have kind 153 00:06:28,909 --> 00:06:26,580 of a grim quality about them and for 154 00:06:31,730 --> 00:06:28,919 those actors inside the costumes it's 155 00:06:33,350 --> 00:06:31,740 sometimes proved a long day 156 00:06:36,590 --> 00:06:33,360 yeah 157 00:06:38,749 --> 00:06:36,600 I hope to work I go boy getting into the 158 00:06:41,809 --> 00:06:38,759 costumes was only the beginning of their 159 00:06:44,210 --> 00:06:41,819 problems once in they sometimes are 160 00:06:47,870 --> 00:06:44,220 required to stay in the outfits for a 161 00:06:50,270 --> 00:06:47,880 period of up to 12 hours this coupled 162 00:06:52,610 --> 00:06:50,280 with working on a hot smoking set and 163 00:06:55,070 --> 00:06:52,620 trying to gracefully abduct Christopher 164 00:06:57,290 --> 00:06:55,080 Walken from his bed proved to be a real 165 00:06:59,629 --> 00:06:57,300 challenge for the little people take 166 00:07:02,029 --> 00:06:59,639 after take was shot to allow Philippe 167 00:07:05,210 --> 00:07:02,039 and the editors a wide choice to use to 168 00:07:07,129 --> 00:07:05,220 convey this integral part of the film 169 00:07:10,309 --> 00:07:07,139 McCracken's work was still not done 170 00:07:13,370 --> 00:07:10,319 however the most important visitor still 171 00:07:15,409 --> 00:07:13,380 had to be designed because it would be 172 00:07:18,529 --> 00:07:15,419 impossible to fit a human into the 173 00:07:20,570 --> 00:07:18,539 skinny body of this being McCracken had 174 00:07:24,230 --> 00:07:20,580 to figure out a different way for the 175 00:07:26,930 --> 00:07:24,240 beings to move what we did then is go 176 00:07:30,170 --> 00:07:26,940 back to some of the original ways of 177 00:07:32,809 --> 00:07:30,180 making films which uh 178 00:07:34,909 --> 00:07:32,819 which are actually actually seem to be 179 00:07:36,890 --> 00:07:34,919 low-tech but are very appropriate for 180 00:07:40,010 --> 00:07:36,900 for the circumstance which namely just 181 00:07:42,469 --> 00:07:40,020 wires flying them with wires it creates 182 00:07:46,010 --> 00:07:42,479 problems filmically in terms of hiding 183 00:07:47,990 --> 00:07:46,020 the wires and so on but uh for this 184 00:07:50,270 --> 00:07:48,000 because of the because it was very 185 00:07:53,089 --> 00:07:50,280 carefully controlled and so on it just 186 00:07:55,070 --> 00:07:53,099 worked worked great and so what did Mr 187 00:07:57,469 --> 00:07:55,080 striba think of Mr McCracken's final 188 00:08:00,230 --> 00:07:57,479 Creations when he saw the communion 189 00:08:01,570 --> 00:08:00,240 figure for the first time and saw it 190 00:08:05,330 --> 00:08:01,580 moving 191 00:08:07,129 --> 00:08:05,340 uh it was like his it's like he is 192 00:08:09,370 --> 00:08:07,139 suddenly his face just went wide he had 193 00:08:13,249 --> 00:08:09,380 a shock look on his face 194 00:08:15,589 --> 00:08:13,259 and uh it took him 195 00:08:17,390 --> 00:08:15,599 I sense that it took him like the rest 196 00:08:19,189 --> 00:08:17,400 of the day to recover from this so it 197 00:08:22,369 --> 00:08:19,199 was that there was kind of there was a 198 00:08:24,589 --> 00:08:22,379 kind of trauma even in seeing the uh the 199 00:08:26,629 --> 00:08:24,599 reproduction of the figure streber 200 00:08:28,790 --> 00:08:26,639 believes there might be more to the 201 00:08:29,869 --> 00:08:28,800 being's face than what appears to the 202 00:08:32,389 --> 00:08:29,879 naked eye 203 00:08:34,790 --> 00:08:32,399 a possibility that is explored with some 204 00:08:38,089 --> 00:08:34,800 thought-provoking scenes in the film 205 00:08:40,130 --> 00:08:38,099 ultimately though communion the film is 206 00:08:42,529 --> 00:08:40,140 more than just a look at the uninvited 207 00:08:45,410 --> 00:08:42,539 guests visiting the striba household 208 00:08:47,930 --> 00:08:45,420 so the film is very much about a family 209 00:08:49,130 --> 00:08:47,940 under pressure and how the family sticks 210 00:08:51,350 --> 00:08:49,140 together 211 00:08:54,110 --> 00:08:51,360 under the stress of these incredible 212 00:08:58,430 --> 00:08:54,120 events so the story is about a family 213 00:09:01,310 --> 00:08:58,440 and that's dramatized that's that's come 214 00:09:03,710 --> 00:09:01,320 up very well it's not a special effects 215 00:09:05,990 --> 00:09:03,720 picture it's much more a picture about 216 00:09:08,030 --> 00:09:06,000 uh 217 00:09:09,829 --> 00:09:08,040 human emotions and it's really a 218 00:09:11,389 --> 00:09:09,839 psychological Thriller 219 00:09:13,550 --> 00:09:11,399 about someone who thinks they're going 220 00:09:14,930 --> 00:09:13,560 crazy what was wonderful because we woke 221 00:09:16,670 --> 00:09:14,940 up upstairs and we heard them all 222 00:09:20,990 --> 00:09:16,680 talking 223 00:09:25,550 --> 00:09:21,000 for hours it was just magical it was 224 00:09:32,389 --> 00:09:28,190 this is the couch where a reporter was 225 00:09:34,430 --> 00:09:32,399 sleeping last May May of 1988 uh when 226 00:09:36,470 --> 00:09:34,440 the visitors came into this room there 227 00:09:38,389 --> 00:09:36,480 were two other people in the room at the 228 00:09:40,790 --> 00:09:38,399 same time they were all simultaneously 229 00:09:42,710 --> 00:09:40,800 awakened by the Ruckus and the noise as 230 00:09:43,730 --> 00:09:42,720 my son says the visitors are noisy when 231 00:09:46,009 --> 00:09:43,740 they are around here they certainly 232 00:09:48,410 --> 00:09:46,019 don't creep around they couldn't move 233 00:09:50,269 --> 00:09:48,420 these people and they all had various 234 00:09:52,370 --> 00:09:50,279 experiences with the visitors right here 235 00:09:55,009 --> 00:09:52,380 in this room joining the striba family 236 00:09:58,310 --> 00:09:55,019 that may was a host of friends including 237 00:10:01,430 --> 00:09:58,320 Raven Dana Dora Ruffner and Colleen 238 00:10:03,769 --> 00:10:01,440 Langley also invited along with several 239 00:10:07,430 --> 00:10:03,779 reporters including newspaper reporter 240 00:10:09,650 --> 00:10:07,440 Ed Conroy and a reporter will call Mark 241 00:10:10,850 --> 00:10:09,660 who chose not to talk to us about his 242 00:10:12,889 --> 00:10:10,860 experiences 243 00:10:15,110 --> 00:10:12,899 if people knew what Market experienced 244 00:10:17,030 --> 00:10:15,120 here that it was this person he would be 245 00:10:18,710 --> 00:10:17,040 his career would be ruined you guys you 246 00:10:21,530 --> 00:10:18,720 got a guy's career on the line he can't 247 00:10:23,210 --> 00:10:21,540 show up here and become go public I 248 00:10:24,949 --> 00:10:23,220 think it's a I think it's a crying shame 249 00:10:27,110 --> 00:10:24,959 that he can't because he had a beautiful 250 00:10:30,110 --> 00:10:27,120 beautiful thing happened to him but 251 00:10:31,870 --> 00:10:30,120 others were willing to talk the fellow 252 00:10:34,430 --> 00:10:31,880 who had been 253 00:10:38,110 --> 00:10:34,440 sleeping it was like a fold-out couch 254 00:10:41,810 --> 00:10:38,120 and I was on a cot next to him 255 00:10:44,269 --> 00:10:41,820 he set up very abruptly and he said 256 00:10:46,970 --> 00:10:44,279 did did you see that or did you hear 257 00:10:50,090 --> 00:10:46,980 that and I and I S and at that moment 258 00:10:51,650 --> 00:10:50,100 this field broke and I could move up 259 00:10:54,470 --> 00:10:51,660 until that time I was just totally 260 00:10:57,530 --> 00:10:54,480 paralyzed but I could move and I said to 261 00:11:00,470 --> 00:10:57,540 him well yes I heard you know I heard 262 00:11:02,750 --> 00:11:00,480 the uh the voices what he described was 263 00:11:06,530 --> 00:11:02,760 of of also waking up hearing that 264 00:11:08,329 --> 00:11:06,540 garbled voice and footsteps as though 265 00:11:09,650 --> 00:11:08,339 something was approaching the foot of 266 00:11:12,110 --> 00:11:09,660 his bed and then he experienced 267 00:11:14,269 --> 00:11:12,120 paralysis he couldn't move he was fully 268 00:11:17,210 --> 00:11:14,279 conscious and he was very annoyed 269 00:11:18,949 --> 00:11:17,220 because he had wanted validation he had 270 00:11:21,290 --> 00:11:18,959 asked for validation and here it was but 271 00:11:23,090 --> 00:11:21,300 he couldn't see them to determine if 272 00:11:25,030 --> 00:11:23,100 there was more to the story than what 273 00:11:28,009 --> 00:11:25,040 the witnesses could consciously remember 274 00:11:29,569 --> 00:11:28,019 hypnotist read Max who had taken Betty 275 00:11:31,850 --> 00:11:29,579 Andreas and through her hypnotic 276 00:11:35,509 --> 00:11:31,860 regressions was called upon to hypnotize 277 00:11:36,590 --> 00:11:35,519 the cabin visitors of May 1988. I do 278 00:11:39,889 --> 00:11:36,600 regressions 279 00:11:42,410 --> 00:11:39,899 I see people who have had UFO encounters 280 00:11:45,290 --> 00:11:42,420 people who wish to remember events 281 00:11:48,110 --> 00:11:45,300 previous in their life 282 00:11:50,269 --> 00:11:48,120 and for these people we call back that 283 00:11:52,069 --> 00:11:50,279 period of time because everything we've 284 00:11:53,930 --> 00:11:52,079 done is still in our head 285 00:11:56,210 --> 00:11:53,940 and it's a matter of guiding that person 286 00:11:58,670 --> 00:11:56,220 back to that point in time as the 287 00:12:00,710 --> 00:11:58,680 regressions began it was evident that 288 00:12:02,690 --> 00:12:00,720 more had happened that night in May than 289 00:12:07,069 --> 00:12:02,700 was previously thought 290 00:12:07,079 --> 00:12:13,790 fear why 291 00:12:22,310 --> 00:12:16,430 because 292 00:12:22,320 --> 00:12:30,470 and doesn't want me to move 293 00:12:35,569 --> 00:12:33,410 seeing the stone circle 294 00:12:39,170 --> 00:12:35,579 okay 295 00:12:39,180 --> 00:12:44,449 stone circle is up 296 00:12:44,459 --> 00:12:51,230 a little Stonehenge 297 00:12:55,670 --> 00:12:53,449 feel 298 00:12:59,930 --> 00:12:55,680 fear 299 00:13:03,889 --> 00:13:02,210 this 300 00:13:05,329 --> 00:13:03,899 is really 301 00:13:12,480 --> 00:13:05,339 requisite 302 00:13:12,490 --> 00:13:25,069 [Music] 303 00:13:31,670 --> 00:13:28,069 they feel they have been abducted 304 00:13:33,650 --> 00:13:31,680 they may have been abducted 305 00:13:36,710 --> 00:13:33,660 I'm reasonably comfortable than not 306 00:13:38,690 --> 00:13:36,720 fabricating stories 307 00:13:41,150 --> 00:13:38,700 and the similarities are intriguing 308 00:13:43,730 --> 00:13:41,160 something unusual happened at the 309 00:13:45,530 --> 00:13:43,740 streamer cabin that night but what was 310 00:13:47,990 --> 00:13:45,540 revealed in the regressive sessions 311 00:13:48,949 --> 00:13:48,000 appeared to be only the tip of the 312 00:13:51,590 --> 00:13:48,959 iceberg 313 00:13:53,930 --> 00:13:51,600 so the production crew of Encounters of 314 00:13:56,449 --> 00:13:53,940 the Fourth Kind waited with cameras in 315 00:13:59,810 --> 00:13:56,459 hand to try and capture the elusive 316 00:14:04,910 --> 00:14:01,730 when the sun rose the following morning 317 00:14:07,250 --> 00:14:04,920 the encounters TV crew was disappointed 318 00:14:09,170 --> 00:14:07,260 to find nothing but black darkness on 319 00:14:11,990 --> 00:14:09,180 the videotape that ran throughout the 320 00:14:15,350 --> 00:14:12,000 entire night while they slept 321 00:14:18,949 --> 00:14:15,360 the beings were nowhere to be seen 322 00:14:21,350 --> 00:14:18,959 or were they a very small well about 323 00:14:24,949 --> 00:14:21,360 maybe four feet high being with very 324 00:14:28,129 --> 00:14:24,959 round very dark eyes came through the 325 00:14:31,430 --> 00:14:28,139 window and the most interesting thing 326 00:14:33,889 --> 00:14:31,440 was that there was no real fear just at 327 00:14:36,410 --> 00:14:33,899 first a jolt of shock but I felt in 328 00:14:39,470 --> 00:14:36,420 tremendous rapport with the being who 329 00:14:42,290 --> 00:14:39,480 raised his hand his right hand 330 00:14:44,210 --> 00:14:42,300 and I felt the weight lift just slightly 331 00:14:47,389 --> 00:14:44,220 from my body I kind of propped myself up 332 00:14:49,910 --> 00:14:47,399 on my arm and I also lifted my hand and 333 00:14:51,710 --> 00:14:49,920 we touched Palms it's no secret and this 334 00:14:53,509 --> 00:14:51,720 that something happened in here last 335 00:14:56,329 --> 00:14:53,519 night but you have no physical 336 00:14:58,370 --> 00:14:56,339 validation all you have is a roll of 337 00:15:00,470 --> 00:14:58,380 film is totally black with a few funny 338 00:15:02,990 --> 00:15:00,480 noises on it big deal 339 00:15:06,050 --> 00:15:03,000 so what am I to say 340 00:15:08,389 --> 00:15:06,060 except that you personally